Avatar ‘Iansurance’

Modern life sucks. We all know this and it’s reached the point now where there’s no point saying it because everyone knows it. We all need a little humour in our lives to raise the spirits and keep the home fires burning. Given the recent decline in the state of the country, doctors are prescribing laughter more and more for curing most common ailments. I rubbed a chuckle on a bruise the other day and felt much better.

I have been toying around with ideas for sitcoms for years now. Chris and I even challenged each other to write pilots for sitcoms in unlikely places (remember that?) way way way back in the day. Now that I have taken the leap into a brand new place of employment it’s only right to use my skills to aid the rest of the human race. I need to show the world that even though things are pretty pants right now you can forget all your troubles for around 24/25 minutes each week with my sitcom, ‘Iansurance’.

The main character is some berk called Ian. He works as a service agent at the Clifford Makin Insurance company. He’s on the phone most days and, boy, does he get into some hysterical comical scrapes. The thing is that Ian daydreams so the time between phone calls his mind drifts into bizarre places: sometimes he’s a horse flying through the sky, sometimes he’s a clown handing out leaflets to cats about making sure they have a mouse pension for when they retire and sometimes he imagines that every time he speaks rainbows shoot out of his mouth and they explode into chocolate muffins when they collide with solid objects.

His boss, Gloria Cookiesnatcher, doesn’t know about Ian’s daydreaming and continually praises him as the best on his team even though he’s the most lackadaisical of the bunch. The times when he suddenly wakes up to take a call saying, “Eugh, I didn’t know peach trees were flammable!” are laughed off as part of his quirky personality. Tsk tsk, there goes Ian again, he’s such a zany character.

As a strange twist, the love interest is the coffee machine. Ian loves coffee a lot. It’s what powers him, gets him through the day, fuels his imagination. The machine in the corner of the kitchen area doesn’t have a name but he refers to her as Susan with two e’s i.e., Sueesan. He doesn’t remember why he started calling her that nor why he assigned gender to an inanimate object. Ian professes his love to Susan each and every morning for handing him the wake-up juice. She responds by handing him said wake-up juice.

We’ll fill the rest of the roster with some wacky office types, a snidely cleaner, a religious man, two cats that we can hear the thoughts of and, I don’t know, a wise old woman who lives in a cupboard.

I am in the process of writing the first few scripts and expect a lot of attention when I’m done. Best jump on the golden gravy train trip now, guys.

8 comments on “‘Iansurance’

  • So, what you’ve got so far is yourself, and a vague promise to invent some flimsy 2D background characters later.

    I’m not sure Dave will buy it but Netflix might.

  • Go big or go home. When I enter a publishing house, I hire a hundred other people wearing masks of my face to flood the building. That way there’s so much me on show that they have no choice but to hand me a contract and start chundering out my lovely books.

  • You’d think that they’d have just banned you from coming in at all by now. Why do they never learn? Why do they waste so much money printing books that are destined to burn?

  • I’m not quite clear how making trees into paper and then burning it forms a circle, but then I’m no ecologist. Presumably Chris Packham could explain it.

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