Four Word Reviews: Funky Dory

You know how, occasionally, something you’ve never experienced before is somehow just what you expected? That is how I felt when Rachel Stevens’ debut solo album, Funky Dory, went into my CD player. I more or less remembered the lead single, Sweet Dreams My LA Ex, but apart from that the main thing I knew is that it was a solo album from the best one out of S Club 7. Rachel Stevens evidently wanted to sound a bit more grown up now that she had thrown off the shackles of the other S Club 6, and it was 2003. Put those things together and you’ve got exactly what this sounds like.

Four Word Reviews: Freak of Nature

You remember Anastacia. She had that massive, powerful voice and a stage persona that was pitched on the borders between sexy and fierce. Her big worldwide smash hit was the super-catchy “I’m Out of Love”, which topped charts of every kind in 2000, including those unrelated to music. Knowing I’d be listening to this album, I’ve had “I’m Out of Love” stuck in my head for several days. It turns out that was from her first album and this is her second. It’s not on this album. It’s still stuck in my head, though.

Four Word Reviews: Christmas

So, it turns out that tomorrow is the first day of May, and not as I had assumed another day in April. That means that this post is being thrown online in a hurry so that it counts towards my April beans and not my May beans.

Anyway, since it’s April, and since it’s Four Word Reviews time, tradition dictates that we must listen to a Christmas album. In Aprils gone by we have heard from Mahalia and Barbra Streisand. This year we’re going for the big one: Christmas, the 2011 album by Michael Bublé. It rewrote Christmas music as we know it – a solid album of Christmas classics, reworked by the smoothest sounding chart act since Sade stopped releasing new music. Now everyone comes along and releases a few slick Christmas cover versions every year. Especially Michael Ball.

Four Word Reviews: Right Now

I know what you’re going to ask. This is Atomic Kitten’s debut album Right Now, so I know before you say anything what we need to clarify. Is this the actual first album, released in March 2000, or is it the second release from August 2001, re-recorded with the band’s new line-up after Kerry Katona left? Well, it’s the second release, featuring the new line-up of Liz McClarnon, Jenny Frost and Natasha Hamilton. Here they are now, looking improbably youthful and slightly distracted.

Four Word Reviews: Fantastic Television Themes

Sometimes the random albums you are compelled to listen to and review are just average. Sometimes the random albums you are compelled to listen to and review are life-changingly bad. Sometimes, though, the random albums you are compelled to listen to and review are not albums at all. There’s no particular artist, no particular style, no lyrics even. This is one of those albums.

Four Word Reviews: Schizophrenic

In the 90s, there were a lot of boybands. You might remember *NSYNC, who were one of the big American ones. They did some catchy songs like Bye Bye Bye and It’s Gonna Be Me and they won eight Grammy awards for their trouble. Then they split up, and their lead singer, Justin Timberlake, went on to have a hugely successful solo career. What you might not remember is that *NSYNC had another lead singer, who co-wrote a lot of the songs with Justin Timberlake, and his name is JC Chasez. He too launched a solo career after the band split up, and his 2004 debut album was called “Schizophrenic”. This is it.

Four Word Reviews: Discomania

A good cover version can make the world a better place. One talented artist taking the work of another, and filtering it through their own lens, can bring new depth or a different sound to something familiar. The best cover versions take something wonderful and turn it in new and unexpected directions to produce something else that’s wonderful. Have you ever heard Stevie Wonder’s version of “We Can Work It Out” by the Beatles? Have you heard David Bowie covering The Kinks’ “Waterloo Sunset”? A good cover version can be glorious.

A bad cover version, on the other hand, adds nothing. Singing your way through someone else’s song just to say you’ve done it will only make your audience wish they were listening to the original, because the original is associated with happy memories and was made with a conviction that the cover is entirely missing.

If you would like to listen to twelve cover versions in that second category, plus a badly made “megamix” and one track of library music that seems to have got lost and arrived here by mistake, then the album for you is Discomania, a compilation of genuinely dreadful music released by Mercury Records in 2004 when they could have just as easily not bothered.

Four Word Reviews – Music Box

Last month, Mariah Carey was cruelly denied the Christmas Number One yet again. In 1994, “All I Want for Christmas is You” was kept off the top spot by East 17’s “Stay Another Day”; in 2021 it actually reached number one the week before Christmas but was then bumped into second place by Ladbaby, whoever the hell they are. Hang in there, Mariah. You’ll do it one day. Until then, let’s set aside the best Christmas song ever recorded to spend some time with Music Box, Mariah’s third studio album, released in 1993.

I don’t think I need to introduce Mariah Carey. She’s one of the best selling female artists of all time, has a net worth in the vicinity of half a billion dollars, arguably influenced most of the vocalists you hear in the charts and every single person who has ever appeared on a TV talent show, and still retains such an air of mystery that Wikipedia doesn’t know what year she was born in.

Pouring
Beans

Category: Four Word Reviews