A good cover version can make the world a better place. One talented artist taking the work of another, and filtering it through their own lens, can bring new depth or a different sound to something familiar. The best cover versions take something wonderful and turn it in new and unexpected directions to produce something else that’s wonderful. Have you ever heard Stevie Wonder’s version of “We Can Work It Out” by the Beatles? Have you heard David Bowie covering The Kinks’ “Waterloo Sunset”? A good cover version can be glorious.
A bad cover version, on the other hand, adds nothing. Singing your way through someone else’s song just to say you’ve done it will only make your audience wish they were listening to the original, because the original is associated with happy memories and was made with a conviction that the cover is entirely missing.
If you would like to listen to twelve cover versions in that second category, plus a badly made “megamix” and one track of library music that seems to have got lost and arrived here by mistake, then the album for you is Discomania, a compilation of genuinely dreadful music released by Mercury Records in 2004 when they could have just as easily not bothered.






