Avatar Episode 16: Socks



I know, I know, I missed a month. It’s sort of worth the wait though, Chris gets sweary at the start of this one and wait ’til you hear next month’s episode… phew.

Anyway, this time we discuss:

  • Socks
  • Socks over Socks
  • Bed Socks
  • Socks
  • Clothes over clothes
  • Fleece.

Avatar Four Word Reviews: Doing it My Way

It’s been a long time since we last dipped our toes into the chilly water of Four Word Reviews – seven months, in fact. That’s largely because the mysterious supply of terrible CDs has been slowing down lately. Still, there’s one here now, and that is an album that’s ten years old this month: Doing it My Way by the 2006 X Factor runner-up Ray Quinn.

There’s not much to say about this album – as we will see – for the simple reason that it’s an album of swing cover versions. It contains exactly the songs you would expect and they’ve all been recorded and performed in exactly the same way as all the hundreds of other albums like this that have been churned out over the years. Everyone from Robbie Williams to Jason Manford has had a pop at it, and they all basically sound like this.

In this specific case, Ray Quinn was all of 19 years old when he came second (second!) in the X Factor, and he was whisked away to Los Angeles to record this album at Capitol Records Tower, in the very studio where Frank Sinatra belted out some of these songs in a more genuine way many years before. I read that on Wikipedia and it might be the single most depressing thing about the whole album. Wait, no, this is: it was a gold-selling album in 2007 and Ray Quinn became the first artist to score a number 1 album without ever releasing a single.

Track Title Word 1 Word 2 Word 3 Word 4
1 Ain’t That a Kick in the Head Literally no opinions here
2 Fly Me to the Moon Weirdly flutey and arhythmic
3 My Way Limper than Frank’s Way
4 That’s Life Violently offensive Hammond organ
5 Mack the Knife Robbie sang it better
6 Smile Tuned this one out
7 The Way You Look Tonight Urgh. Creepy crooning crescendo
8 Summer Wind Generic swing sung generically
9 What a Wonderful World Is this even “swing”?
10 Mr. Bojangles OK song made tedious
11 New York, New York No York No York

It’s quite hard to have an opinion about this album because it’s all songs you’ve heard a hundred times before sung in exactly the way you’ve heard them sung a hundred times before. It offers nothing new. You have to listen pretty hard to work out it’s this generic singing guy and not one of the thousands of other blokes with halfway decent voices who have chosen to tread this heavily congested road. It lacks any sincerity. A 19 year old can’t really sing “My Way” and hope to make you think they mean it, not that this particular 19 year old sounds much like he’s trying. Some of the more upbeat and jazzy numbers have been made quieter and less jazzy for some reason. It’s a big, brass-heavy sigh of a record.

In summary, my favourite thing about this album was that I could sometimes forget it was this X Factor guy singing it and let it wash over me like it was literally any other album of identical-sounding swing covers. My least favourite thing was “New York, New York” being turned into a sort of stodgy, plodding recital. Even I give that song more welly if I sing along to it.

Avatar Four Word Reviews: Love Situation

I’m getting used to terrible albums mysteriously landing on my doormat now. I don’t know who sends them or why, but they keep on coming. Normally I’ve heard of the people involved – Vanilla Ice, Clock, that sort of thing, but I have to say I’ve never heard of Gary Wilmot before. I’ve searched the internet to no avail. He’s a complete unknown.

Still, here it is, a forgotten 80s classic: Love Situation by Gary Wilmot.

Gary Wilmot - Love Situation

The feeling I normally get while listening to music for these Four Word Reviews is that I struggle to care about the music I’m hearing, but this album was an interesting first, because I got the distinct feeling that Gary Wilmot didn’t care either. I don’t think I’ve ever listened to an entire album of music in which none of the participants show any sign of giving a damn about the music they’re mechanically churning out.

Of the 12 tracks here, four are cover versions. The eight original songs are without exception awful, with the sort of lyrics that slowly and deliberately tell you exactly what the song is about so there’s no space for imagination or subtlety, but it’s not clear whether Mr Wilmot thought that he could genuinely improve on the four songs he covers or whether he’s just using them as a way to avoid having to write any more drivel. In any case, all four are disasters.

In terms of the music, it sounds like someone listened to “A Winter’s Tale” by David Essex and decided to make a whole album like that. There’s almost no sound on the whole CD that is not made by one of the instrument settings on a Yamaha keyboard, though there is a bit of Carpenters-style subdued electric guitar once or twice that’s turned right down so it doesn’t get you too excited. Several of the songs fade out over the course of thirty seconds or more, sometimes from the middle of a chorus, which gives the impression that the producer has had enough and is trying to wrap it up early.

Track Title Word 1 Word 2 Word 3 Word 4
1 Love Situation Dreading eleven more tracks
2 On the Way to a Dream Synth clarinet and sadness
3 Unchained Melody Uninteresting rendition, unmitigated failure
4 And Now She’s Gone Allegedly emotional breakup ballad
5 Take My Breath Away Masterclass in slaughtering songs
6 Star Without a Soul “Raggy Dolls” backing vocal
7 Wind Beneath My Wings Emotionlessly plodding through dross
8 Expectation Road Overwrought ballad about loneliness
9 I Won’t Forget You Not even Gary cares
10 Against All Odds Nobody asked for this
11 Danny You’re a Loser China Crisis with crooning
12 There’s Only Room for the Good Girls Unsuccessfully channeling Billy Joel

Interestingly, after ten solid tracks of slow, quiet, bored-sounding crooning, the last two tracks suddenly pick up the pace, like a direct reversal of all those albums that have ten tracks of lively good stuff and then a couple of slow half-baked songs tacked on the end. Both of them are crap, but Danny You’re a Loser is almost the first appearance of any sort of beat, which is at least a welcome change if not actually pleasant listening, while There’s Only Room for the Good Girls might be a terrible song and a transparent pastiche of Billy Joel but is at least not more mushy, apathetic muttering over dreary keyboards. If they were the first two tracks you’d misguidedly think there was some hope for the album, so in that sense at least it is kinder to put them at the end.

In short, my favourite thing about this album is that it took four songs I already knew and didn’t like, and showed me how it would be possible to make them much worse, so that next time I hear any of them I can at least appreciate the fact that the originals are competently performed and that the singer seems to give a toss about them. My least favourite thing is that I still have no idea who Gary Wilmot is.

Avatar Four Word Reviews: The Lone Ranger

1995 was an important year. It saw the release of Windows 95, which was the first occasion the Rolling Stones had ever endorsed a 32-bit operating system in a marketing stunt that wasn’t contrived at all. Goldeneye was released, which was the first movie in the James Bond franchise where the game was better than the actual film. And, of course, it was the year Suggs ran out of money and returned to the music business with the release of his debut solo album, The Lone Ranger.
Suggs: The Lone Ranger

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Avatar 2016 State of the Beans Address

Delegates, please, take your seats. The buffet and free hot drinks will continue to be available during the open seminar at the end of today’s session. There’s no need to push. Settle down, please.

Thank you. Good afternoon. My name is Professor Elbert Louche, and it is my pleasure to have been asked back to deliver this 2016 State of the Beans Address.

The New Beans has now been running for two years, a bold social experiment that has grasped the zeitgeist and undeniably transformed British culture. It has won several awards of its own making. In 2015, 96 posts were made by Beans members – an increase of 14 on the previous year – and 1,430 comments were made, almost double the number made in 2014. This is both impressive and delightful.

Let’s take a look at what each individual Beanist has accomplished.

Chris

This member made a total of 48 posts, precisely four a month, earning him 12 full beans and zero nasty dried peas. Chris continues to be the only member of the Beans pictured in a blue tie, something that he was hoping would catch on but so far hasn’t.

Ian

Historically Pouring Beans’ most reliable contributor, Ian has pus finger to keyboard on 35 occasions, timing those posts carefully to stay within the strict Bean Counter rules, and has also come away with an unbroken run of 12 tasty beans. His attempted catchphrase “sweet petunia!” has, again, failed to gain any traction in the last twelve months.

Kev

A look at the statistics shows that Kev made just 12 posts in 2015, but a more detailed examination of the facts revealed that from August 2015 onwards he has transformed himself from an idle, feckless individual, more interested in refurbishing his domestic environment than sharing the burden of running the UK’s most popular blog site, into someone who has earned the epithet “contributor” and is now a valued member of the team.

In conclusion, it is clear to everyone that Chris and Ian are joint winners this year, that the Beans is incredibly popular and brilliant, and the future holds many more awards for this website that will undoubtedly be bestowed upon it just as soon as we get round to inventing them. Well done.