Get out of my mind

Pop music, it’s dumb right?

Not all of it. A lot of it very intelligently made and well put together. There are those out there though that abuse it’s magic and only concoct the worst of the worst to make a cheap buck. Pop music is the house of the lazy songwriter. It has committed more crimes then I’d care to mention (I’m looking at you, ‘Boys of Summer’ by DJ Sammy).

I have recently been re-listening to ‘This Year’s Model’ by Elvis Costello and the Attractions, a lovely bouncy set of new wave poppy rocky songs from 1978. It features two stellar singles; (I Don’t Want to Go to) Chelsea’, a sentiment I think we all share, and the ludicrously good ‘Pump it Up’. Costello is reported to have written the song on a fire escape during a stop in Newcastle of all places. What if he wrote it on my fire escape? Wait, I don’t have a fire escape.

The song ‘Pump it Up’ was later sampled by a sack of arse called Rogue Traders. In classic lazy pop fashion they took some bint they could find (in this case the Australian actress Natalie Bassingthwaite – she used to be in Neighbours because of course she did, she’s from Australia), got her to knock out some half-based vocals and called it ‘Voodoo Child’.

Rogue Traders – Voodoo Child (Video) – YouTube

It features lyrics so banal if you closed your eyes and pointed to random words in a dictionary you would come up with a better one. Would you like an example? Take a sweet glance at the chorus:

“Baby baby baby
You are my voodoo child, my voodoo child
Don’t say maybe maybe
It’s supernatural, I’m coming undone.”

Awful, yes. Catchy, yes. I do believe it has more to do with Elvis Costello and the Attractions more than anything else. If you took away the pounding organs and guitars you’d be left with an empty pickle of a song, a limp biscuit if you will. I only mention this because my brain, in its infinite wisdom, continues to remind me of things like this rather than remembering useful things. When the aliens come and take us all away I will be filed on a shelf of knowledge called ‘Why bother?’ and only called up when they need a particularly spicy pub quiz question.

Whenever I hear ‘Pump it Up’ there is the quiet unsightly ghost of Rogue Traders hiding in the background.

Absolute bastards.

The Doctor will see you now

What do you mean you didn’t know I was a doctor?

What do you mean you didn’t know I spent seven years plus training? Do you mean all those times I was prescribing medication you weren’t paying attention?

Are you saying that every single time I swore the Hippocratic oath you didn’t listen? Every time I tore off someone’s leg and saved their life you didn’t notice?

Do you people even know anything about me?

Clennel

Every day I drive to work.

Shocking I know, right? When I’m driving I use my eyes to see things like a lot of other drivers. I tend to use my regular eyes instead of all the other pairs that I have lying around. They only have a finite lifespan after all and who am I to liberally chunter off an expensive set of peepers for my own benefit?

There is always one thing that sticks out when I drive to work and that is this:

Everything else looks and behaves fine. If there’s a zebra crossing it behaves like a zebra crossing. The roundabouts are standard, the kind that you would see anywhere else. See that junction over there? It’s functions as a junction. It’s a functional junctional. The clennel though, I’m not buying it.

Firstly it’s not a word. I’ve tried looking it up and there’s nothing there. It’s definitely not a name or a surname. It’s as though someone misspelt the word ‘kennel’ and nobody bothered to correct it. I’m pretty sure it’s not a breed of dog or a type of salmon or the spoon on the table when you go out for a fancy meal that you never use. It’s not an illness; you can’t be off work with a spot of clennel. It’s not a film by Federico Fellini. It’s not a perfume or aftershave by Jean Paul Gautier.

What were they thinking? Does anyone else know about this and can they see it? It’s a clear indication that something isn’t right and I am convinced that there’s something or someone hiding down Clennel Avenue, a hidden thing that might be sinister and otherworldly like a sock that can tell the time or a bee that hums French fancies. I want to know the secrets hiding in plain sight and yet I know that some things man was not supposed to know. It eats away at me, day after day, the chewing on my elbows is unbearable. Don’t listen to your gut. Don’t go down the Clennel. Leave it alone and you’ll be fine. Wipe the sweat from your brow and go back to thinking about whistle pops and candy whistles.

There it stands as a monument to things that do exist but probably shouldn’t. I hope to God that I never find out the truth.

Chris and Ian’s Rap Battle – Round 2

So here we have it.

Three years have passed since the world was shook by the resonating words of these titans of industry, these monoliths of maniacal word mastery. Ian “I was eating pie” McBugle and Sheriff Rockingham aka Chris Marshall, both ex members of pioneering genre-bending super group ‘The Rapples’, are back for another scintillating slice of lyrical suppositories.

But the real question is are they still up to scratch? Can you still expect the old and beardy to reach the dizzying heights of previous years? What can you expect from two almost middle aged men who spend their evenings sitting down and nothing more? Can they, in the eternal words of Kevindo Menendez, still mack it?

Of course they can, you fools!

Tickets have been sold out for ages but you lucky, lucky people get to hear the whole thing as it happens right here on Beans FM.

With a phat new stack of material, Chris is a seasoned pro and ready to take the stage once again. He’s got horses and a drinks cabinet full of dazzling wordplay and witty observations in his corner. He’s never been both fresher and on the fashions. McBugle, however, loves to play with people’s expectations. He’s slumped, unshaved, walking like the weight of the world is hanging on his shoulders only to shrug off his coat and flash a smile that could blind a box full of puppies.

Take a seat, ladies and gentlemen, this is going to be a bumpy ride. Over to you, boys…

‘Ion Fury’ – mini review

‘Ion Fury’ is the best old new old game I have played in a while.

What do you mean you don’t know what an old new old game is? Isn’t it obvious? Okay grandad, let me explain.

Back in the day, a series of first person shooters were built on an engine called Build. This Build engine powered many a successful game such as ‘Duke Nukem 3D’, ‘Exhumed’ and ‘Blood’. After a while people were looking for fancy shizz that had polygonal roundness and curvy sumptuousness that Build couldn’t handle so it quietly disappeared into the background. Cut to 2019 and a new game using the same engine was released called ‘Ion Fury’. It was a prequel to a game called ‘Bombshell’ nobody could remember because it was bollocks. Thankfully ‘Ion Fury’ was actually pretty good and garnered much better reviews and a smidgen of success as a result.

Now, two years later, I have been playing through it and it’s a spicy meatball of a game. If you still need me to explain the old new old thing I’m going to need some slides and a hammer.

You played as Shelly “Bombshell” Harrison (ahhhh, ahhhh, see why? Ahhhh!). What’s the plot? Is there really one to begin with? You an ass-kicker and you have to pick up some guns and kick some ass; that’s all you really need to know. If you’ve played any of the aforementioned PC games then you’ll know exactly what to expect: chunky graphics, over the top weapons and more explosions than a Michael Bay boxset on fire. It plays incredibly well, smooth and fast, the developers knew what they were doing and squeezed everything they could out of a fairly familiar and well-trodden scenario. The settings are somewhat similar to Duke’s first 3D outing taking in city streets, skyscrapers and malls with alien bits scattered around for good measure. What really sets it apart though is the difficulty.

This game is hard. I played through it on the second easiest difficulty and even then it was an uphill struggle. You cannot gleefully blast your way through the campaign. You will be saving often and you will need to think about the order in which you do things. At times it was more like a tactical RPG where you carefully plan where you move to, what gun to use and when to retreat back to hide behind that soda machine. The enemies are smart and often they are placed in the position that is most likely to blow your face off in that they have the freedom of a large area with a grenade launcher pointed in your general direction and a fuck ton of body armour and you, even with your strongest weapon, will feel like wet cheese slapping them on their elbow.

It does require a lot of patience because sometimes even the silliest error would make you lose half of your health within a matter of seconds. Thankfully there are numerous checkpoints and you can save at any time.

After playing for fifteen hours I was convinced I was near to the end and they practically slapped a huge NOPE across my forehead because I wasn’t. It was a slog towards the end. I would recommend playing in short bursts, kind of like my company; too much is bad for your health. To put it into context I blasted my way through ‘Doom 64’ in-between playing ‘Ion Fury’ and finished that before I’d even gotten two thirds of the way through this. You certainly get your money’s worth.

‘Ion Fury’ is available for PS4, X-Box One, Nintendo Switch and Steam (steam!).

Younger Schmelves

Young Ian was an enigma and when I say enigma I actually mean ‘wrong in all the wrong places’. If I was to ever write a biography, to accompany my award-winning series of books, people wouldn’t believe it because of just how absurd it would all sound.

“What do you mean you were too lazy to make toast in the kitchen so you used the gas fire next to the TV in the living room so you could do both at the same time? What do you mean you broke into a building site just to start fires with some kids from school? You did a what on the side of the road on the way to pick up a parcel?”

I know, right? Truth is stranger than fiction.

Recently I have been remembering a lot of things Young Ian used to do. I expect this is a side effect to approaching middle age. Next thing you know I’ll come across an old advert for Radio Rentals and start weeping about all the electrical goods my parents used to rent from them. “Oh, the TV with the buttons missing on the front,” I’ll gush, “they would pop off if you pressed them too hard and they’d disappear under the sofa and you’d have to push them out using a ruler.” Nostalgia makes a fool out of everyone.

A strange fact about Young Ian is that he was amazed by the idea of convenience food. Not takeaways but those dinners you could put in the microwave and three minutes later you’d have a Sunday dinner (if your eyesight was impaired and you considered three painfully thin slices of beef and a few soggy potatoes to be a Sunday dinner). He wound marvel at the freezers in Tesco and Jack Fultons at the choice available to those with money to spare. I wasn’t very convincing so my mum would only ever buy one or two because children are fickle and she knew that the pictures on the front of the boxes were tarted up and would never resemble whatever came out of the microwave at the end.

That was the dream. Not to go to through the painstaking process of actually cooking a roast beef dinner but to get someone else to do it, freeze it and then buy it from somewhere down the street. The idea of doing this now makes my insides wince like watching anything on Tik Tok. Young Ian didn’t really know what he wanted but he wanted it all the same and thank baby cheeses he stopped before he turned into the white trash he could have been, sofa on the front lawn and everything.

Floor Pasta – a short play

The scene reveals a man, a woman and a teenage boy in the kitchen of a semi-detached house. A television can be heard coming from the living room. Two or three dogs are roaming the kitchen floor looking for scraps.

S: Go on, tell your dad about the floor pasta.
I: The what?
R: It’s because I brought home a packet of spaghetti that I found on the floor. It’s still sealed, it’s not minging or anything.
I: I see. Dubious but still useful I suppose.
R: Oh come on, don’t tell me you wouldn’t because I know you would! It’s free food and it’s perfectly usable.
I: Whereabouts did you find this?
R: When I was walking home from school.
I: A lone packet of spaghetti just lying there on the floor.
R: In the street, yeah. I looked around to see if anyone had dropped it but I was the only one there.

Later that evening. Still in the kitchen.

I: We’re a little concerned about the floor pasta. Are you sure you didn’t steal it? Come on now, if you’re going to risk going to jail for a 50p pack of spaghetti then I think we need to get you to a psychologist.
R: I knew you would do this.
S: If you’re a klepto just own up to it, we won’t judge you.
R: This is nonsense.
I: You have to admit the story sounds a bit too convenient, a bit too farfetched if you ask me.
R: Yes it does but it’s true, well, apart from the bit about finding it on the floor.
I: Come again?
R: I didn’t find it on the floor I found it in a trolley.
I: Here we go.
S: So it wasn’t on the floor, you stole it from a trolley in Sainsburys?
R: The trolley wasn’t in Sainsburys, it was in an alley.
I: This sounds even less believable. Which alley?
R: You know the one that’s equidistant between Sainsburys and Dhillons fish shop?
I: No, surprisingly not. I’m not out measuring equal distances between two places near where you live.
R: It was a trolley there and it was full of pasta.
I: Full of pasta, a trolley full of pasta lying in an alley sort of behind a supermarket, just left there for anyone to take.
R: Yes. I checked and it’s in date, it’s not as if it was out of date goods or anything.
S: So with all that pasta available to take you only took one small packet of spaghetti?
R: Yes! I didn’t want to be greedy.
S: This is sounding less believable the more he says.
I: You’re telling me.
R: Look, I know you don’t believe me and that’s fine. This isn’t the first time it’s happened anyway.

The man and the woman look at each other with the same confused look.

S: So how many times has it happened?
R: <thinks> about nine or ten.
I: So nine or ten times you’ve been walking from school and you’ve come across a shopping trolley filled to the brim with pasta and this is the first time you’ve thought to mention it?
R: Like you would have believed me anyway…

Lights fade.

The End.

Bad Ears

My hearing has been compromised for as long as I can remember.

We all know how questionable it is at times because if anyone is going to mishear something it’s going to be me. Matters took a turn for the worse a few weeks ago when the hearing in my right ear went a little bit six-wide.

As I was driving down to Leeds for Christmas I experienced what can only be described as “bad ear” when I could feel something wrong and part of my hearing just disappeared. I could still hear everything although it felt as though some kind of substance was blocking my ear canal. It was a big muffled as though I was doing that thing crappy singers do when they close their eyes and hold their ear to hear their pitch and reach the high notes only Mariah Carey and dogs can reach.

Over Christmas I gently started scooping out the contents and as disgusting as this is to write it’s another thing entirely when experiencing it first hand. Normally I’m quite adept as keeping on top of personal hygiene; during the month of December this must have taken a flight abroad and forgot to leave a note. Waves of wax came out in all shapes and colours. I cleaned my ear with a delicate hand and with no proper medical help until January when doctors returned from their Christmas-shaped holes (I was resolute that I was not going to A & E or calling III because of earwax) I put up with my folly.

There was a ringing too, a constant ringing that wouldn’t go away. Looking back now I think it may have been before all of this, meaning it may be two problems or one problem in two halves.

I did a grown up thing and called the doctors. “I’m sorry sir, we don’t syringe ears on the NHS anymore,” said the receptionist, “it’s not considered to be safe. You’ll have to try elsewhere.” Hmmmm, said a sarcastic voice in my head, you won’t help me but encourage me to look into it myself? Go private? Okay, sure, I’ve got this, leave it to me.

I went to Boots for a free hearing test where they told me both my ears needed to be sorted out. I made an appointment for less than a week later to use a futuristic sucking device to clear out the mess and afterwards it was like that fresh minty feeling you get after you have your teeth cleaned at the doctors… only in my ears.

“Do you want the bad news first?” said the Boots employee, shortly after vacuuming my inner sanctum. Apparently my ears are now free of wax because she can see my eardrums when looking in my ear. The bad news is that some of the wax went so balls deep into my ear that some of it is lying on my eardrum and it’s too dangerous to try and suck it out. The solution? Olive oil ear drops. I’ve been squirting this stuff now for about a week in the hope that it’ll shake loose the wax, stop the ringing and give me my hearing back. If this doesn’t work, I may have tinnitus.

All in all January could have been a lot worse but then again it could have been a lot better.

Pouring
Beans

Author: Ian “Wolfwood” McIver